The important thing to remember when gathering evidence is that the more evidence the better - that is, the more evidence you gather to demonstrate your skills, the more confident an assessor can be that you have learned the skills not just at one point in time, but are continuing to apply and develop those skills (as opposed to just learning for the test!). Furthermore, one piece of evidence that you collect will not usualy demonstrate all the required criteria for a unit of competency, whereas multiple overlapping pieces of evidence will usually do the trick!
From the Wiki University
What evidence can you provide to prove your understanding of each of the following citeria?
Assess wireless audio equipment requirements and plan spectrum management
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Liaise with relevant personnel to determine the various production factors that will impact on wireless audio equipment operation Completed |
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Assess both technical and performance factors to establish the most appropriate approach to the use of wireless audio equipment in accordance with any regulatory requirements Completed |
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Establish all other wireless frequencies in use within range, including security and building services users Completed |
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Research and establish wireless instrument and in-ear monitor frequencies to be used by all acts, performers and musicians associated with the performance Completed |
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Plot proposed and currently used frequencies onto suitable plot and compare with legal and available frequencies Completed |
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Establish actual frequencies to be used, allocated to each person, performer, musician, and/or department Completed |
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Where multiple use of the same frequency for different performers or segments is required, prepare a suitable spreadsheet/plot Completed |
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Accurately document wireless audio equipment requirements prior to the production to ensure easy interpretation by others Completed |
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Ensure availability of equipment and accessories in accordance with production requirements Completed |
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Set-up wireless equipment
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Establish suitable location for equipment and technician work area in consultation with relevant personnel Completed |
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Run audio lines appropriately from wireless equipment to stage box or patch point and make correct connections in accordance with plot Completed |
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Run standby microphone cable/s as required, and have wired and wireless standby equipment on hand Completed |
Evidence:
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Establish backup channels with appropriate personnel, and put in place other appropriate contingency management measures Completed |
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Check and fit wireless audio equipment
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Make appropriate checks on wireless audio equipment prior to fitting to ensure equipment is correctly labelled, in working order and fully charged with new batteries Completed |
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Check that frequency setting on microphones and transmitters is matched and complete appropriate tuning Completed |
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Identify the most appropriate position for the equipment based on performance and technical issues Completed |
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Fit wireless audio equipment using appropriate attachment techniques to meet performance requirements Completed |
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Follow appropriate protocols with performers during the fitting process Completed |
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Clearly explain any technical operation issues to performers Completed |
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Check and adapt gain structure to fit production requirements Completed |
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Monitor wireless audio equipment systems
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Correctly set wireless audio equipment so that signal is received by the sound desk Completed |
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Politely request performer to use equipment to ensure it is working correctly and crosscheck Completed |
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Monitor all wireless systems throughout production, identify any problems and take appropriate action to rectify Completed |
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Complete work operations
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Retrieve wireless equipment from performers at conclusion of their performance Completed |
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Clean and arrange or store wireless equipment in readiness for the next user or the next performance Completed |
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